The Gear: Fujinon 90mm f2 vs 35mm f1.4
I shot entirely on my Fujifilm X-T5, switching between the 90mm f2 and 35mm f1.4 depending on the scene.
Fujinon 90mm f2 R LM WR
This lens is a sharp, fast telephoto prime that excels in isolating subjects with creamy bokeh. It’s my go-to for floral close-ups and compressed background shots. During the cherry blossom shoot, the 90mm let me pick out clusters of blossoms from a distance, creating dreamy, almost painterly images. The autofocus is quick and accurate—even wide open at f2.
What I love:
- - Razor-sharp even at f2
- - Silky, smooth bokeh
- - Weather-sealed and built like a tank
Downside:
- It's a bit long for tighter spaces or capturing the broader scene
Fujinon 35mm f1.4 R
This classic lens has a cult following, and I can see why. The 35mm focal length (roughly 50mm full-frame equivalent) is perfect for environmental portraits and wide scene compositions. It shines in soft light, adding a signature character that feels organic and timeless—something that complements the ephemeral nature of cherry blossoms.
What I love:
- - Compact and lightweight
- - Beautiful rendering and “character”
- - Gorgeous results wide open at f1.4
Downside:
- - Autofocus is a bit slower and noisier, but still very usable.
- - No Weather Sealed.
Final Thoughts
The combination of the 90mm and 35mm gave me a versatile toolkit—precision and intimacy from the 90mm, mood and storytelling from the 35mm. Together, they helped me capture not just the look of cherry blossom season in Toronto, but also the feeling.
If you're a Fujifilm shooter looking to document spring—or any season, really—these two primes are a powerful duo worth carrying.
Select more below to see my cherry blossom gallery shot on Fujifilm.
